A devil carrying a soul of the damned in his claws runs toward Dante and his guide Virgil. They watch in horror as the devil throws the sinner into a river of boiling tar. This is the circle of the grafters, those corrupt politicians who abused their authority in office. Florentine politics are evident in this canto where the fraudulent leaders who exiled Dante the poet from his home reside. These souls are condemned to live eternally in boiling tar with the devils constantly prodding them under with pitchforks (Dante compares it to chefs pushing down the meat in a stew).
Virgil has Dante hide behind a rock while he talks to the leader of the devils explaining that they are to pass through Hell on God’s command. The bridge to the next level is broken, and the devils agree to lead Dante and Virgil to a good bridge to cross. After coming out of hiding, Dante is terrified and wary, while Virgil is confident in the devils word. As it turns out, Dante’s fears are justified.
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Sandro Botticelli was a renaissance painter in Florence best known today for his works "The…
The nine Circles of Hell, punishing progressively more serious sins, gives the sinners what they…
Although the first part of the Divine Comedy, Inferno, begins at canto one, the journey…
A devil carrying a soul of the damned in his claws runs toward Dante and…
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